We value your privacy
We use cookies to enhance your experience, analyse site traffic, and serve personalised content. By clicking Accept All you consent to our use of cookies. Privacy Policy

We're building the production team behind elite sports media. Five specialist roles, zero experience required for some — just real drive and the hunger to learn on the job.
Applications reviewed every Monday · Roles open to volunteers & interns
Each role is a real part of how we produce. Pick yours, read what it actually involves, and apply below when you're ready.
Run the full broadcast programme from open to close.
The Linear Producer owns the on-air flow. You're responsible for scheduling segments, managing real-time timing, and ensuring every broadcast moment hits as planned. You'll coordinate with directors, segment producers, and on-air talent to make sure the show runs seamlessly from the first whistle to the final wrap.
What you'll actually do
No previous experience required for some levels — we train on the job.
Apply for this roleCraft individual content pieces for air and digital.
Segment Producers develop standalone stories — match previews, player profiles, tactical breakdowns, post-game analysis — and take each from pitch to delivery. This role is perfect for someone who thinks in narrative arcs and loves the craft of shaping a story for camera.
What you'll actually do
No previous experience required for some levels — we train on the job.
Apply for this roleKeep operations moving across every department.
The Production Director's right hand. You'll manage call sheets, coordinate inter-departmental communication, track deliverables, and solve logistical problems before they become crises. This role teaches you how a professional production operates end-to-end — and there's a direct path to PD from here.
What you'll actually do
No previous experience required for some levels — we train on the job.
Apply for this roleMake sure every piece of kit is where it needs to be.
Production lives or dies on logistics. You'll handle equipment transport, venue prep, crew movement, and on-site problem-solving — keeping the operation running smoothly before, during, and after every shoot or broadcast day.
What you'll actually do
No previous experience required for some levels — we train on the job.
Apply for this roleOwn the sound of every broadcast and shoot.
Audio is 50% of the experience — and most people only notice it when it's wrong. As our Audio & Sound Engineer you'll design, set up, and mix sound for live broadcasts and location shoots. From crowd mics and pitchside effects to commentary and music beds — you shape the sonic identity of the show.
What you'll actually do
No previous experience required for some levels — we train on the job.
Apply for this roleReal experience. Real output. Real connections.
Your name in the credits of professionally broadcast content distributed across social and streaming platforms.
Work alongside industry professionals and build relationships that open doors in broadcast, digital, and sports media.
Skip the classroom — you'll learn by doing, on real productions with real stakes, mentored by working professionals.
Walk away with polished work samples from actual broadcast and commercial productions to add to your portfolio.
Strong performers are first considered when paid contract positions open up on our expanding production roster.
Volunteers and interns get early access to commercial shoot listings before they go public.
From interest to first production day in four steps.
Read through the five roles above and pick the one that fits your skills or the one you want to learn.
Fill in the form with your background, portfolio or resume link, and a short cover note. Takes under 5 minutes.
Applications are reviewed every Monday. Shortlisted candidates are contacted within 7 days.
You'll receive a brief, sign any necessary agreements, and be assigned to your first production within 2 weeks.

Ready to apply?
Applications take less than 5 minutes. We review every one, every week.